Then two years ago I read and reviewed Knisley's more traditional graphic memoir Relish and became an instant fangirl. So when I discovered that Knisley had recently published two new travelogues, I stopped what I was currently reading and picked up An Age of License and Displacement.
The French have a saying for the time when you're young and experimenting with your lives and careers. They call it: L' Age License. As in: License to experience, mess up, license to fail, license to do... whatever, before you're settled.
An Age of License is Knisley's time to be carefree and uninhibited. She doesn't have to think or worry about whether or not to get up and go -- even though she does. Whereas, Displacement is a much different narrative, which Knisley even explicitly acknowledges when she compares the two trips:
That trip [in An Age of License] was about independence, sex, youth, and adventure. This trip is about patience, care, mortality, respect, sympathy, and love.
On this trip, Knisely, accompanies her grandparents, who are failing in health and mental faculties, on a Caribbean cruise. It is a sensitive, earnest, fatalistic look at family and mortality, yet also done somehow with a lighthearted touch. There was so much about both of these books that really resonated with me. I love the reflective duality between the two narratives, which is clearly not lost on Knisley. As I see my own parents age and I wrestle with my familial relationships, Displacement really hit home for me, especially the very last line of the book:
Good or bad, it's important to feel connected sometimes. Even if that connection can be painful.
Overall, I love seeing how Knisley's career is evolving. Because most of her books are travelogues, they have a confessional quality to them, which makes them all the more provocative to read. There are moments of deep reflection, as noted in the snippets above, but then there are also really funny, lighthearted scenes, such as this adorable moment in An Age of License where Knisley is driving in France with a croissant hanging out of her mouth.
At first, this looks like a page for the reader to just breeze by. A full-page panel with minimal text to give the reader's eyes a break. But the more you stop and think about it, there really is a lot to say about what is happening in the narrative and in her life. In this one illustration Knisley is commenting on her own age of license. She's alone, she can pick up and go as she pleases, and is choosing to indulge in the things that will give her happiness and pleasure. Every time I read a book by Knisley, my wanderlust only intensifies.
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